The “unusual” sections of major French media still operate on an editorial model inherited from news agencies: illustrated briefs, catchy headlines, and a lack of context. This format no longer reflects how offbeat content circulates or what makes it a distinct editorial category on the web.
Shortification of unusual news: the format that redistributes the audience
Short videos have absorbed a massive share of the consumption of offbeat news. TikTok, Instagram Reels, and YouTube Shorts capture the 15-24 age group with sequences of less than 60 seconds, often taken from news agency feeds or surveillance cameras. This shift towards short-form video as the main channel for unusual news alters the editorial value chain.
We observe that newsrooms publishing “bizarre” or “unusual” sections in the form of text + photo articles are losing ground to native creators on these platforms. Unusual content is no longer read; it is scrolled.
To follow the news on 10 Grammes, one must understand that the daily curation of offbeat content now relies on a multi-platform monitoring that far exceeds traditional RSS feeds.
The problem for editorial sites: short-form video generates engagement on the originating platform, not incoming traffic. Newsrooms that merely rewrite an unusual news item in 200 words offer nothing that TikTok doesn’t already provide in 15 seconds.

Unusual trends online: what distinguishes viral content from disposable content
Not all unusual content is created equal. A $38 sandwich that goes viral during the US Open generates a spike in clicks over 48 hours, then disappears. A narcoleptic dog that falls asleep at every emotion produces derivative content for weeks. The difference lies in a criterion that newsrooms measure poorly: the potential for narrative variation.
A lasting unusual fact possesses at least one of these characteristics:
- A character (human or animal) to whom the audience can become attached over multiple episodes, like an involuntary soap opera
- A strong local anchoring that allows for regional retellings and on-site visits (archaeological discovery, mysterious inscription on a public building)
- A participatory dimension that encourages internet users to produce their own version of the content (challenges, parodies, reenactments)
Newsrooms that sort their unusual topics according to these criteria achieve a significantly higher sharing rate than those that publish everything that comes through the feed.
Unusual activities to discover: escape games, simulators, and workshops in the city
The word “unusual” no longer refers only to strange news items. It now qualifies an entire category of urban experiences that internet users actively seek. Escape games, flight simulators, blacksmithing workshops: these activities constitute a distinct search segment, separate from offbeat news but indexed on the same queries.
Lyon, Paris, and other major French cities concentrate a dense offering of unusual activities to discover with friends. The market has structured itself around online sales platforms that aggregate these experiences by theme and city.
What internet users are really looking for behind “unusual”
The search intent splits into two distinct blocks. The first block concerns information: the internet user wants to read or see something surprising, to consume content that breaks the informational routine. The second block concerns action: they are looking for an unusual experience to book for a birthday, a bachelor party, or a weekend.
Confusing these two intentions in the same editorial content results in satisfying neither. An article that mixes a news item about a woodlice found in an intestine with a list of escape games in Saint-Étienne loses coherence and positioning.

Daily monitoring of unusual news: methods and tools to not miss anything
The curation of unusual news on a daily basis requires a structured monitoring system. The sources are not the same as for general news, and weak signals often come through channels that traditional aggregators do not cover.
We recommend combining several layers of monitoring:
- The “unusual” feeds from news agencies and regional dailies, which capture local news items before their national coverage
- TikTok and Reddit trends filtered by geographical keywords, where viral topics often emerge 24 to 48 hours before traditional media
- Alerts on the accounts of firefighters, municipal services, and local associations, which regularly publish inadvertently offbeat content
- The “news items” sections of local editions of Ouest-France or Dauphiné, a goldmine of unusual topics with strong territorial anchoring
The common trap is to monitor only the major national sections. The most shared content often originates in local publications that no one reads outside their broadcast area.
Publication frequency and editorial fatigue
Publishing unusual content every day imposes a rhythm that wears down newsrooms. The temptation to lower the selection threshold to feed the daily flow degrades perceived quality. It is better to have three truly surprising publications per week than a continuous stream of micro-facts without substance.
The current trend among specialized publishers is moving towards compiled formats (the best of the week) rather than continuous feeds. This format allows for a more demanding editorial filter and offers a selection rather than a deluge.
Unusual content remains one of the few editorial segments where the person selecting matters as much as the source itself. A good curator of offbeat news does not merely relay: they contextualize, prioritize, and choose a presentation angle that transforms a simple fact into a memorable narrative.



